The
Apparition of Shelby Foote
R.L.
Burkhead, MFA
From
The Record at MTSU
Summers
on MTSUs campus appear lazy. Huge blocks of students vanished
into the countryside for the break. A lingering sun on the horizon
until 8:00 p.m. And soul-smashing temperatures that suck the action
verbs from the air and reduce compound-complex sentences to short,
struggling, declarative grunts.
But the perceived laziness is a deception.
University staffers and faculty remain and push through the humidity,
hurrying along the zigzag sidewalks between offices in efforts
to deconstruct the previous semester and brace for the onslaught
of the Fall rush. I join them in my daily pinball maneuvers from
MTSUs Belle Aire location to and throughout campus, behavior
that has tagged me as the reading guy, or so I have been
informed.
My daily walkthe rounds, as I call itallows for a
great many things
as long as I keep moving. And I cannot
deny the reader charge (not that I wish to), especially since
I fell deep into a large hole by the side of the road two weeks
ago while reading Virginia Woolfs Mrs. Dalloway.
In addition to reading, the rounds allow me to think through
problems, to remember things I have forgotten, and to observe
the summers fury of to-dos.
Often, I think about these to-dos at my favorite summer
spot on campus: an empty, gray bicycle rack bolted just under
a large shade tree missing a mammoth lower branch. Trees remind
me of writers and writing. From a distance, as many writers may
prefer to be observed, trees appear motionless and photographed.
Spend any length of time with a tree, and the frenzy will reveal
itself.
On this afternoons pause at the sacred tree, I thought about
the frenzy of literary activity humming at this moment, during
this summer.
I look across campus and see The Writers Lofts own
Suzanne Craig Robertson participating in the programs first
summer writing sabbatical. Shes here all week in a dorm,
enjoying our concrete walls and indoor/outdoor carpeting while
working on her fiction. Two buildings in the opposite direction,
theres the start of the Young Writers Loft, a five-day
writing workshop for rising seventh, eighth, and ninth graders.
And in the current issue of The Tennessee Writer (the official
Tennessee Writers Alliance newsletter), I see a book review by
Loft Alumni J. Terry Price.
Beyond campus, many are doing great things to support the craft
of writing. New magazines and journals have appeared, one paper
(Illiterati: Nashvilles New Creative Publication)
and one not (asouthernjournal.com), and fresh literary programs
and events are bringing more and more writers together. It is
in this spirit that we have opened a portion of the programs
literary journal (The Trunk) to the public. The Summer
2005 issue will be on campus in a few days and it will include
something new: columns and how-to pieces from writers in and out
of the program, each sharing the joys and frustrations of this
profession.
Newspaper stands linger at the boundaries of campussome
four hundred plus acresas well as loiter within, and thanks
to this summers continual one hundred and ten degree heat
index, these boxes appear like lava lamps when viewed from a distance.
The rounds remove me from the sacred tree and plunge me
toward the buildings, bringing these boxes into focus. While July
succumbs to August, the date of the paper has not changed in over
a month: Wednesday, June 29, 2005.
And there he is, on the front page above the fold: the recently
departed Southern storyteller Shelby Foote. Blue shirt and brown
blazer, head tilted to his right and a hand extended up as if
pointing toward the camera and out as progress cuts down the trees
and pours concrete. The historian and novelist passed away two
nights before this issue arrived on campus, and he has spent all
summer here on the sidewalks, at the entrance of the student center,
behind Cope, and at other select locales.
But the summer has not yet ended and much remains to do before
classes begin. I look away from Mr. Foote and continue across
campus: reading, dodging holes, and feeding the to-dos.
©
R.L. Burkhead